1 00:00:13,160 --> 00:00:15,440 [helicopter whir] 2 00:00:37,880 --> 00:00:39,880 [intriguing music] 3 00:01:12,120 --> 00:01:13,800 [gasps] 4 00:01:34,240 --> 00:01:36,520 Girls, where are you? 5 00:01:38,000 --> 00:01:39,520 - Can you hear me? - Yeah. 6 00:01:39,720 --> 00:01:42,720 We go down to the cemetery. They are behind us. 7 00:01:44,080 --> 00:01:46,000 [oppressive music] 8 00:01:51,760 --> 00:01:53,880 I don't know where they are. I hear them. 9 00:01:56,320 --> 00:01:58,720 Tell us where they are. Do you see us? 10 00:01:58,960 --> 00:02:00,560 I don't see anything. 11 00:02:04,760 --> 00:02:08,040 Ah damn, it’s okay, I see you. They're coming from behind! 12 00:02:10,440 --> 00:02:13,040 There are others who arrive by the stairs. 13 00:02:15,360 --> 00:02:16,160 Syl, 14 00:02:16,360 --> 00:02:18,560 there are others. - Syl, trace. 15 00:02:18,760 --> 00:02:20,280 Swarming, everywhere. 16 00:02:20,480 --> 00:02:22,200 [indistinct cries] 17 00:02:23,880 --> 00:02:25,920 - [shot] - [she moans in pain] 18 00:02:26,120 --> 00:02:26,960 Alex? 19 00:02:27,160 --> 00:02:28,720 [low music] 20 00:02:53,960 --> 00:02:55,920 [dance music] 21 00:03:03,680 --> 00:03:05,640 [proposed in English] 22 00:03:05,840 --> 00:03:07,880 I will come back. Everything good? 23 00:03:08,080 --> 00:03:09,920 - Yes. - Need something else? 24 00:03:10,120 --> 00:03:11,840 - No. - Have a good evening. 25 00:03:12,080 --> 00:03:14,920 Syl, number 10, please It's urgent now. 26 00:03:15,120 --> 00:03:16,200 - Yeah. - THANKS. 27 00:03:16,400 --> 00:03:18,800 Don't forget the 2, there, they wait. 28 00:03:27,840 --> 00:03:30,040 - Here, next order. - Yes, pose. 29 00:03:30,240 --> 00:03:31,200 THANKS. 30 00:03:32,200 --> 00:03:35,520 Tam, the cocktails you make, take them directly to the terrace, 31 00:03:35,760 --> 00:03:38,000 because Alex is a little underwater. - Okay. 32 00:03:38,240 --> 00:03:40,320 - I'm going. - Yeah. 33 00:03:45,760 --> 00:03:48,400 - Chan-mé! - Come on ! 34 00:03:48,600 --> 00:03:51,040 [enthusiastic shouts] 35 00:03:56,560 --> 00:03:58,280 [police siren] 36 00:03:58,480 --> 00:03:59,720 There you go. 37 00:04:01,400 --> 00:04:02,680 What the hell is he doing? 38 00:04:07,800 --> 00:04:08,880 Tamara Chamade? 39 00:04:09,120 --> 00:04:10,880 What the hell are you doing? 40 00:04:11,120 --> 00:04:12,960 You are under arrest. 41 00:04:13,160 --> 00:04:15,760 You can remain silent. What you will say 42 00:04:16,000 --> 00:04:18,760 may be held against you. You have the right 43 00:04:19,000 --> 00:04:20,280 to a relative or a lawyer, 44 00:04:20,480 --> 00:04:22,720 but hey, your sisters are already aware. 45 00:04:22,920 --> 00:04:24,640 - Oh yeah. - You were scared, weren't you? 46 00:04:24,800 --> 00:04:25,840 Come on, let's go. 47 00:04:26,080 --> 00:04:27,840 - There are people! - It's going to be okay, well. 48 00:04:28,040 --> 00:04:29,320 I take your service, 49 00:04:29,560 --> 00:04:31,480 but tomorrow... - I have no choice, 50 00:04:31,720 --> 00:04:33,240 it's not fair. - Enjoy. 51 00:04:33,440 --> 00:04:34,520 Thanks, girls. 52 00:04:37,800 --> 00:04:39,440 You put me a bout of stress. 53 00:04:39,640 --> 00:04:41,760 It's for a good cause. 54 00:04:42,920 --> 00:04:44,040 You'll see. 55 00:04:45,320 --> 00:04:47,000 Come on. 56 00:04:47,200 --> 00:04:48,240 The mermaid? 57 00:04:48,440 --> 00:04:52,080 Yeah, we're seriously screwed. Look in the glove box, 58 00:04:52,280 --> 00:04:54,400 there is a scarf. Blindfold yourself. 59 00:04:54,600 --> 00:04:56,800 - Blindfold me? - Yes. 60 00:04:58,520 --> 00:05:01,360 What are you going to do to me, Mr. Chapuis? 61 00:05:02,720 --> 00:05:04,880 You'll see. You're going to love it. 62 00:05:09,520 --> 00:05:12,480 ["Signed Cat's Eyes", by Anne Sila] 63 00:05:16,000 --> 00:05:18,920 - ♪ Girls of today ♪ - ♪ Children of the form ♪ 64 00:05:19,120 --> 00:05:21,800 ♪ We love to laugh and dance ♪ 65 00:05:22,040 --> 00:05:23,960 ♪ Vienna midnight ♪ 66 00:05:24,200 --> 00:05:25,800 ♪ When others fall asleep ♪ 67 00:05:26,040 --> 00:05:27,920 ♪ We become for the night ♪ 68 00:05:28,160 --> 00:05:30,000 ♪ Three lively panthers ♪ 69 00:05:30,240 --> 00:05:32,800 ♪ Who in a flash know how to jump ♪ 70 00:05:33,000 --> 00:05:34,760 ♪ Without a sound ♪ 71 00:05:35,040 --> 00:05:36,680 ♪ Sisters and solidarity ♪ 72 00:05:36,880 --> 00:05:38,360 ♪ On land or in the air ♪ 73 00:05:38,560 --> 00:05:43,280 ♪ Meeting all challenges ♪ 74 00:05:43,520 --> 00:05:45,120 ♪ Cat's Eyes ♪ 75 00:05:46,320 --> 00:05:48,200 ♪ Signed Cat's Eyes ♪ 76 00:05:50,000 --> 00:05:51,200 ♪ Cat's Eyes ♪ 77 00:05:52,080 --> 00:05:54,680 ♪ Signed Cat's Eyes ♪ 78 00:05:56,480 --> 00:05:59,400 ♪ Beautiful incognito Fabulous trio ♪ 79 00:05:59,600 --> 00:06:04,240 ♪ In contempt of all dangers ♪ 80 00:06:04,520 --> 00:06:05,840 ♪ Cat's Eyes ♪ 81 00:06:17,000 --> 00:06:18,040 I can't take it anymore. 82 00:06:18,240 --> 00:06:20,560 I know. Don't worry, you won't regret it. 83 00:06:20,760 --> 00:06:22,760 - [crowd in the distance] - What is that noise? 84 00:06:22,960 --> 00:06:24,200 - Girls? - You'll see. 85 00:06:25,760 --> 00:06:28,280 Wait, I'll pass a phone call. 86 00:06:28,480 --> 00:06:30,840 - They are happy. - Very happy. 87 00:06:32,960 --> 00:06:34,280 We are in the same place 88 00:06:34,520 --> 00:06:37,800 last time, where are you? Go ahead, we're waiting for you. 89 00:06:38,000 --> 00:06:40,760 - Everyone. - What do you mean, the “last time”? 90 00:06:40,960 --> 00:06:42,200 Did you come without me? 91 00:06:42,440 --> 00:06:44,360 - Maybe. - You don't have the right. 92 00:06:49,480 --> 00:06:53,320 [first notes of “I asked to the Moon" of Indochina] 93 00:06:53,560 --> 00:06:55,360 [mad crowd] 94 00:06:57,240 --> 00:07:00,160 - Are we at the Indochina concert? - Hm... 95 00:07:00,360 --> 00:07:02,120 I don't believe it, it was complete. 96 00:07:02,320 --> 00:07:05,360 A friend works in the social security system, He got me 2 places 2 days ago. 97 00:07:05,560 --> 00:07:07,160 I don't deserve you so much. 98 00:07:10,120 --> 00:07:12,920 Ah well, he's there. Boy, you're in charge, seriously. 99 00:07:13,120 --> 00:07:15,240 - Good evening. You're late. - You manage. 100 00:07:15,440 --> 00:07:17,320 - This is Tam. - Delighted. 101 00:07:17,520 --> 00:07:20,560 - Follow me, you're late. - You're in control, man. 102 00:07:20,760 --> 00:07:22,840 - It's crazy! - Yes. 103 00:07:25,920 --> 00:07:27,240 ♪ I asked the Moon ♪ 104 00:07:27,440 --> 00:07:29,920 On the other hand, can we just speed up? 105 00:07:30,120 --> 00:07:31,920 It's my favorite song. 106 00:07:32,120 --> 00:07:34,440 You love them all, stop your bullshit. 107 00:07:34,640 --> 00:07:36,640 It's crazy, It’s crazy stuff. 108 00:07:36,840 --> 00:07:39,560 ♪ I showed him my burns ♪ 109 00:07:39,760 --> 00:07:41,560 This door is slow! 110 00:07:41,760 --> 00:07:43,200 - Where is it? - Middle door. 111 00:07:43,400 --> 00:07:45,480 - THANKS ! - You manage. 112 00:07:48,520 --> 00:07:51,000 ♪ And that I was not cured ♪ 113 00:07:52,720 --> 00:07:56,080 ♪ I said to myself What misfortune ♪ 114 00:07:57,280 --> 00:08:00,440 ♪ And the Moon made fun of me ♪ 115 00:08:01,840 --> 00:08:05,280 [she sings] ♪ I asked the Moon ♪ 116 00:08:05,520 --> 00:08:08,520 ♪ If you still wanted me ♪ 117 00:08:10,320 --> 00:08:14,640 ♪ She told me I'm not used to it ♪ 118 00:08:14,880 --> 00:08:17,760 ♪ To take care of cases like that ♪ 119 00:08:17,960 --> 00:08:22,800 ♪ And you and me We were so sure ♪ 120 00:08:23,600 --> 00:08:26,000 ♪ And we said to each other a few times ♪ 121 00:08:27,880 --> 00:08:31,240 ♪ That it was just an adventure ♪ 122 00:08:32,240 --> 00:08:34,920 ♪ And that it wouldn't last ♪ 123 00:08:36,560 --> 00:08:40,040 ♪ I don't have much to say to you ♪ 124 00:08:40,280 --> 00:08:43,440 ♪ And not much To make you laugh ♪ 125 00:08:45,320 --> 00:08:48,320 ♪ Because I always imagine the worst ♪ 126 00:08:48,520 --> 00:08:49,520 Thank you. 127 00:08:49,720 --> 00:08:52,160 ♪ And the best makes me suffer ♪ 128 00:08:54,920 --> 00:08:57,880 [Tam screams and gloats] 129 00:09:12,760 --> 00:09:14,440 [music fades] 130 00:09:18,000 --> 00:09:20,440 Why is it not always like that, life? 131 00:09:20,640 --> 00:09:21,720 [he laughs softly] 132 00:09:29,600 --> 00:09:31,320 I have to say something. 133 00:09:33,840 --> 00:09:37,440 What ? That you love me? That's it, it took you some time. 134 00:09:37,640 --> 00:09:39,160 Stop, I'm serious. 135 00:09:41,400 --> 00:09:42,680 Ooh there... 136 00:09:43,840 --> 00:09:45,280 Are you okay? What is it? 137 00:09:50,320 --> 00:09:52,040 If I returned to France... 138 00:09:54,760 --> 00:09:56,360 What? You're scaring me now. 139 00:09:57,560 --> 00:09:59,080 - It's because... - [ring] 140 00:10:01,280 --> 00:10:03,240 Sorry, I think that it's Bruneau. 141 00:10:03,440 --> 00:10:05,600 - It's for work. - I know, don't worry. 142 00:10:07,240 --> 00:10:08,320 Yes, Commissioner? 143 00:10:08,560 --> 00:10:10,680 Chapuis, it’s okay, I'm not bothering you? 144 00:10:10,880 --> 00:10:11,920 What do you do? 145 00:10:12,120 --> 00:10:14,640 I'm with my girlfriend, we're coming out of a concert. 146 00:10:14,840 --> 00:10:17,080 I told you that I was having my evening. 147 00:10:17,280 --> 00:10:20,120 There is a theft in progress at the 13th century seals warehouse. 148 00:10:20,360 --> 00:10:23,040 A cleaning man on site would have seen thieves 149 00:10:23,240 --> 00:10:25,480 in combination with cat masks. 150 00:10:25,720 --> 00:10:27,120 Thinking of Cat's Eyes? 151 00:10:27,320 --> 00:10:29,640 It's been weeks that nothing happened. 152 00:10:29,840 --> 00:10:32,640 In the warehouse, there are Dalembert’s paintings 153 00:10:32,840 --> 00:10:34,600 that Cat's Eyes couldn't have flown! 154 00:10:34,840 --> 00:10:37,520 OK, well I'm going for it. I'll keep you informed. 155 00:10:37,760 --> 00:10:40,000 - OK. - I'm sorry, 156 00:10:40,240 --> 00:10:42,160 I have to go, there's a robbery. 157 00:10:42,360 --> 00:10:44,120 This time, it's not me. 158 00:10:45,960 --> 00:10:47,040 I'm sorry. 159 00:10:47,200 --> 00:10:49,280 I have to stop it, it's important. 160 00:10:49,480 --> 00:10:51,840 We meet at home. Come on. 161 00:11:03,160 --> 00:11:05,000 What are you doing ? You're not coming with me. 162 00:11:05,200 --> 00:11:07,360 I'm not going home alone at this time. 163 00:11:07,560 --> 00:11:11,000 - It's a robbery, not an after. - I'll stay in the car. 164 00:11:14,240 --> 00:11:16,240 [intriguing music] 165 00:11:25,640 --> 00:11:28,720 - Don't move from the crate, OK? - Yes. And you, you're not coming back 166 00:11:28,920 --> 00:11:31,120 without your colleagues, OK? - Okay. 167 00:11:37,160 --> 00:11:39,600 - What are you doing ? - Nothing, it's curdling a little, 168 00:11:39,800 --> 00:11:40,920 I put on my jacket. 169 00:11:41,120 --> 00:11:42,800 Quentin, you wait 170 00:11:43,040 --> 00:11:44,600 your colleagues to go home! 171 00:11:45,960 --> 00:11:47,400 You wait for your colleagues. 172 00:11:48,440 --> 00:11:49,720 Come on, everyone. 173 00:12:41,080 --> 00:12:42,560 [muffled cries] 174 00:12:50,480 --> 00:12:52,080 Police. I'm from home. 175 00:12:52,280 --> 00:12:53,920 - How many are there? - 5. 176 00:12:54,120 --> 00:12:56,760 - Where are they? - In the courtyard. They were looking 177 00:12:56,960 --> 00:12:59,560 the seals of a certain Dalembert. - Okay. 178 00:13:01,480 --> 00:13:03,560 Hide. Reinforcements are arriving. 179 00:13:03,760 --> 00:13:05,160 [policeman] Thank you, thank you. 180 00:13:07,880 --> 00:13:09,280 [squeaking] 181 00:13:17,440 --> 00:13:19,000 [muffled cries] 182 00:13:19,200 --> 00:13:21,840 Shh...I'm from home. I'm from home. 183 00:13:29,440 --> 00:13:31,120 [door creaks] 184 00:13:38,320 --> 00:13:39,520 Down, down, 185 00:13:39,760 --> 00:13:41,480 hurry up! Down, I tell you. 186 00:13:41,680 --> 00:13:44,040 Hands behind your back, hands behind your back. 187 00:13:45,160 --> 00:13:47,040 - How many of you are there? - Too much for you. 188 00:13:47,240 --> 00:13:49,200 Do you want to play dumb? Okay... 189 00:13:49,400 --> 00:13:51,400 [we open a door] 190 00:13:51,640 --> 00:13:54,400 - Move forward. - Let him go! 191 00:13:54,640 --> 00:13:55,760 Let him go, 192 00:13:56,000 --> 00:13:58,080 let go! It'll be fine, don't worry. 193 00:13:58,320 --> 00:14:00,320 Let him go. Go ahead, get out of here. 194 00:14:00,560 --> 00:14:03,320 OK, hands on your head, get on the ground. 195 00:14:03,560 --> 00:14:04,840 [indistinct words] 196 00:14:05,040 --> 00:14:06,680 On the ground, hands on the head! 197 00:14:06,920 --> 00:14:07,680 Down! 198 00:14:07,920 --> 00:14:09,560 Hey, Hello Kitty, on your knees, 199 00:14:09,800 --> 00:14:12,200 hands on head, or I turn you on. 200 00:14:13,040 --> 00:14:14,360 - [tension music] - Hey! 201 00:14:14,560 --> 00:14:16,640 There are the cops! There are the cops! 202 00:14:16,880 --> 00:14:19,640 [struggle groans] 203 00:14:21,760 --> 00:14:23,200 What are you going to do? 204 00:14:23,440 --> 00:14:24,680 [punch] 205 00:14:25,520 --> 00:14:26,880 [man] Hey, you over there! 206 00:14:27,120 --> 00:14:28,640 [indistinct shots and screams] 207 00:14:44,160 --> 00:14:45,240 [man] Come on, let's get out of here! 208 00:14:45,440 --> 00:14:48,080 [hectic music] 209 00:14:48,320 --> 00:14:50,240 [shots] 210 00:15:00,400 --> 00:15:03,880 Good thing I told you to stay in the crate! 211 00:15:04,080 --> 00:15:06,840 - Are you okay, don't you have anything? - Yeah, it's okay. 212 00:15:07,040 --> 00:15:08,040 Okay... 213 00:15:08,240 --> 00:15:09,640 [she gasps] 214 00:15:09,840 --> 00:15:10,680 Thank you. 215 00:15:10,840 --> 00:15:12,280 [elevator ring] 216 00:15:16,240 --> 00:15:19,920 - Théo, where is Quentin? - In the interrogation room. 217 00:15:20,120 --> 00:15:22,160 - THANKS. - Good evening, by the way, Gwen, right? 218 00:15:22,360 --> 00:15:25,640 After midnight, we are no longer polite, do we say hello anymore? 219 00:15:25,840 --> 00:15:27,680 [Quentin] Yeah. Come on, hurry up. 220 00:15:27,880 --> 00:15:29,720 - Good evening, Assaya. - Commissioner. 221 00:15:29,920 --> 00:15:30,920 Come on, come on! 222 00:15:31,920 --> 00:15:33,360 Come on, move, come on! 223 00:15:43,440 --> 00:15:44,440 Hi. 224 00:15:47,360 --> 00:15:48,360 Hi. 225 00:15:51,400 --> 00:15:52,720 We have a new recruit 226 00:15:52,960 --> 00:15:54,600 or Chapuis can no longer live 227 00:15:54,800 --> 00:15:56,640 without his girlfriend? - Don't start! 228 00:15:56,840 --> 00:15:59,040 - I can go out. - No, stay. 229 00:15:59,240 --> 00:16:02,680 - She was with me, is that okay with you? - All evening and all night? 230 00:16:02,920 --> 00:16:04,480 - Yes ! - Are you okay, is it over? 231 00:16:05,280 --> 00:16:06,600 - It's good ? - [he groans] 232 00:16:06,760 --> 00:16:08,840 Ah! Theo! It's really not the time! 233 00:16:09,840 --> 00:16:12,120 I was trying to relax the atmosphere. 234 00:16:12,320 --> 00:16:15,160 We don't need it. Chapuis, it's the last time 235 00:16:15,400 --> 00:16:18,040 that you take such a risk, is that clear? 236 00:16:18,240 --> 00:16:19,520 Yes, boss. 237 00:16:19,720 --> 00:16:21,360 Good ! Can we go there? 238 00:16:22,760 --> 00:16:26,960 So, uh... This robber that you caught, he spoke? 239 00:16:27,200 --> 00:16:29,880 - No, he won't talk. - There is a possibility that he 240 00:16:30,080 --> 00:16:31,720 a connection with Cat's Eyes? 241 00:16:31,920 --> 00:16:35,120 No, it's impossible. Cat's Eyes don't shoot cops. 242 00:16:35,320 --> 00:16:38,360 - That remains to be proven. - If other thieves are interested 243 00:16:38,560 --> 00:16:41,560 to the works of Dalembert, there must be a reason. 244 00:16:41,760 --> 00:16:44,840 We must find what is hidden behind the paintings. 245 00:16:46,040 --> 00:16:49,880 Besides, if ever, in progress road, you find Cat's Eyes, 246 00:16:50,080 --> 00:16:52,920 you grab it, you bring it back to me, and that will be good. 247 00:16:53,120 --> 00:16:55,720 - Eh ? Come on, get to work. - Yes, boss, well received. 248 00:16:59,080 --> 00:17:00,120 Okay, well... 249 00:17:00,320 --> 00:17:01,400 I'm going to go there. 250 00:17:01,600 --> 00:17:04,200 Yeah, I'll join you and come home with you. 251 00:17:04,400 --> 00:17:06,280 Theo, you can bring her back in the parking lot? 252 00:17:07,280 --> 00:17:09,440 - Please? - Okay, okay. 253 00:17:09,640 --> 00:17:10,520 (I'm waiting for you.) 254 00:17:11,480 --> 00:17:12,880 - (I love you.) - Me too. 255 00:17:13,880 --> 00:17:15,040 Hi. 256 00:17:15,280 --> 00:17:17,040 - Good night. - You too, bro. 257 00:17:20,280 --> 00:17:22,480 Stop your bullshit. What are you looking for? 258 00:17:22,680 --> 00:17:24,600 That she is still in the corner 259 00:17:24,840 --> 00:17:27,200 during a burglary of this caliber, 260 00:17:27,400 --> 00:17:28,840 Is it still a coincidence? 261 00:17:29,080 --> 00:17:31,200 Yes, it's a coincidence! We were in Bercy 262 00:17:31,400 --> 00:17:33,800 to see Indochina, his favorite group. 263 00:17:34,000 --> 00:17:36,480 I offered him, she wasn't planning to go, 264 00:17:36,680 --> 00:17:40,040 and when Bruneau called me, we were leaving the concert. 265 00:17:40,240 --> 00:17:43,720 I locked her in the crate, I did what I had to do, 266 00:17:43,920 --> 00:17:46,320 that's all! She has nothing to do with it! 267 00:17:46,520 --> 00:17:48,680 - She's strong. - No, you're paranoid. 268 00:17:48,880 --> 00:17:50,760 But it's just you who sees nothing! 269 00:17:50,960 --> 00:17:52,320 You're blind, seriously! 270 00:17:52,480 --> 00:17:54,480 [intriguing music] 271 00:17:59,760 --> 00:18:02,000 [she sighs] 272 00:18:04,320 --> 00:18:05,960 [Quentin] Okay, listen, uh... 273 00:18:08,280 --> 00:18:12,280 I understand it's complicated for you to see this. 274 00:18:12,520 --> 00:18:14,040 Complicated for me? 275 00:18:16,840 --> 00:18:19,280 It's complicated for you to see me with her. 276 00:18:19,480 --> 00:18:22,200 You and me, it's over. We have to move on. 277 00:18:22,400 --> 00:18:24,920 It can't last like this, it's not possible. 278 00:18:25,120 --> 00:18:28,240 It's not possible, so... stop, 279 00:18:28,480 --> 00:18:29,480 OK? 280 00:18:35,160 --> 00:18:36,600 You will see that I am right. 281 00:18:39,240 --> 00:18:40,240 You'll see. 282 00:18:47,000 --> 00:18:49,000 [upbeat music] 283 00:18:58,720 --> 00:18:59,720 Thank you. 284 00:19:20,960 --> 00:19:22,840 - How are you ? - It's good and you ? 285 00:19:23,040 --> 00:19:25,200 - Where is she, Alex? - In his room. 286 00:19:25,400 --> 00:19:27,400 [music fades] 287 00:19:30,600 --> 00:19:31,840 [whispers] 288 00:19:32,040 --> 00:19:33,880 What was this robbery? 289 00:19:34,080 --> 00:19:37,840 Guys who wanted the works who remained from Dalembert's 290 00:19:38,040 --> 00:19:40,800 and who failed to steal them. On the other hand, 291 00:19:41,000 --> 00:19:43,080 it woke up the cops on Cat's Eyes. 292 00:19:43,280 --> 00:19:45,000 They will recover to investigate. 293 00:19:47,320 --> 00:19:48,400 Well we don't care, 294 00:19:48,600 --> 00:19:50,840 it's been months that we didn't do anything. 295 00:19:55,160 --> 00:19:58,080 - Do you want it? Should I leave it to you? - Hmm! Hmm! 296 00:19:59,600 --> 00:20:00,600 I have the slab! 297 00:20:07,000 --> 00:20:09,720 [intriguing music] 298 00:20:12,160 --> 00:20:13,280 What is it? 299 00:20:13,480 --> 00:20:16,080 - I'm going to take a shower. - Hm hmm. 300 00:20:21,800 --> 00:20:22,880 Rub well, eh! 301 00:20:23,880 --> 00:20:24,880 [Sylia chuckles] 302 00:20:28,000 --> 00:20:29,280 Oh damn, Dad! 303 00:20:29,480 --> 00:20:31,000 - When was that? - Tonight. 304 00:20:31,160 --> 00:20:32,120 You 305 00:20:32,320 --> 00:20:34,720 Get the fuck out of me? Can you explain to me? 306 00:20:34,920 --> 00:20:37,960 - You didn't want to know anything. - I didn't want to talk about it anymore. 307 00:20:38,160 --> 00:20:40,000 That's why that we didn't tell you anything, 308 00:20:40,160 --> 00:20:42,720 but I need to know, do you understand? 309 00:20:44,600 --> 00:20:46,760 - How did you do it? - When he 310 00:20:47,000 --> 00:20:50,600 ran away from the cafe, I took his plate and I set up an alert 311 00:20:50,800 --> 00:20:53,840 on all tolls in France. - And ? 312 00:20:54,080 --> 00:20:56,680 Nothing happened for months and... 313 00:20:56,880 --> 00:21:01,040 And finally it beeped last night, at 4 a.m., on the A11 and the A84. 314 00:21:04,440 --> 00:21:07,120 This is the road to go to Mont-Saint-Michel. 315 00:21:07,320 --> 00:21:10,880 She goes to lots of places. What the hell would he be doing there? 316 00:21:11,080 --> 00:21:13,760 - Hélène had a house there. - Durrieux? 317 00:21:13,960 --> 00:21:16,640 Yeah. She stored there part of his works. 318 00:21:16,840 --> 00:21:19,920 - Dad often went there with her. - So, what do we do? 319 00:21:25,000 --> 00:21:26,000 [she sighs] 320 00:21:30,440 --> 00:21:32,040 We're going to Mont-Saint-Michel. 321 00:21:32,280 --> 00:21:35,680 [rock music] 322 00:22:03,520 --> 00:22:04,800 [soft music] 323 00:22:10,920 --> 00:22:11,920 Thank you. 324 00:22:14,640 --> 00:22:15,640 It'll be OK. 325 00:22:18,320 --> 00:22:19,520 I know. 326 00:22:19,760 --> 00:22:23,400 [cover of "Take On Me", by a-ha] 327 00:22:23,640 --> 00:22:25,280 ♪ Pa da da da pa pa pa ♪ 328 00:22:25,520 --> 00:22:28,680 ♪ Pa da da da da pa da da da pa pa pa pa da da da ♪ 329 00:22:28,920 --> 00:22:31,640 ♪ Pa da da da pa pa pa ♪ - [Alex crie] 330 00:22:31,880 --> 00:22:35,360 ♪ Pa da da da da pa da da da pa pa pa pa da da da ♪ 331 00:22:35,600 --> 00:22:37,840 - ♪ Talking away ♪ - Hé ! 332 00:22:38,040 --> 00:22:40,640 ♪ I don't know what I'm to say ♪ 333 00:22:40,880 --> 00:22:43,600 ♪ I'll stay it anyway ♪ 334 00:22:43,840 --> 00:22:46,640 ♪ Today is another day to find you ♪ 335 00:22:46,880 --> 00:22:48,440 ♪ Shyin' away ♪ 336 00:22:49,920 --> 00:22:52,440 ♪ I'll be comin' for your love OK ? ♪ 337 00:22:52,680 --> 00:22:56,840 ♪ Take on me ♪ 338 00:22:57,040 --> 00:22:58,240 ♪ Take on me ♪ 339 00:22:58,480 --> 00:23:02,640 ♪ Take on me ♪ 340 00:23:02,840 --> 00:23:04,120 ♪ Take on me ♪ 341 00:23:04,360 --> 00:23:08,880 ♪ I'll be gone ♪ 342 00:23:09,080 --> 00:23:12,840 ♪ In a day or two ♪ 343 00:23:13,080 --> 00:23:13,920 [elle rit] 344 00:23:14,160 --> 00:23:15,800 ♪ Ouh ouh ouh ♪ 345 00:23:16,040 --> 00:23:17,800 ♪ So needless to say ♪ 346 00:23:18,800 --> 00:23:23,760 ♪ Of odds and ends But I'll be stumbling away ♪ 347 00:23:24,640 --> 00:23:27,560 ♪ I'm slowly learning That life is OK ♪ 348 00:23:27,800 --> 00:23:29,600 ♪ Say it after me ♪ 349 00:23:30,840 --> 00:23:33,200 ♪ It's no better to be safe Than sorry ♪ 350 00:23:33,400 --> 00:23:38,040 ♪ Take on me ♪ 351 00:23:38,280 --> 00:23:39,480 ♪ Take on me... ♪ 352 00:23:41,680 --> 00:23:43,000 [Tam soupire] 353 00:23:46,680 --> 00:23:50,440 La dernière fois que je suis venue, maman était enceinte de toi. 354 00:23:57,480 --> 00:23:58,320 On y va ? 355 00:24:01,400 --> 00:24:03,400 - [intriguing music] - [brouhaha] 356 00:24:17,560 --> 00:24:19,240 [laughs] 357 00:24:35,600 --> 00:24:38,480 I think it's there. Yeah, that's it. 358 00:24:43,360 --> 00:24:45,120 - Is it there? - Yeah. 359 00:24:45,360 --> 00:24:47,560 There's no one, it seems. I'll look. 360 00:24:53,840 --> 00:24:55,720 - What are you doing? - Well, let's go, 361 00:24:55,920 --> 00:24:57,240 since there is no one there. 362 00:24:58,240 --> 00:24:59,440 Are you coming back or not? 363 00:25:04,400 --> 00:25:07,360 [a phone rings] 364 00:25:09,040 --> 00:25:09,960 Hello? 365 00:25:10,160 --> 00:25:11,240 - Mr. Gabriel? - Yes. 366 00:25:11,480 --> 00:25:13,680 Ms. Frachon, of Mont-Saint-Michel. 367 00:25:13,920 --> 00:25:15,600 How are you ? 368 00:25:15,840 --> 00:25:18,560 Not good. My ass hurts, Are you interested? 369 00:25:18,800 --> 00:25:20,200 Plus it's humid 370 00:25:20,440 --> 00:25:21,680 and there are tourists. 371 00:25:21,920 --> 00:25:24,840 - Are you calling me about this? - I had to call you 372 00:25:25,040 --> 00:25:27,360 if I saw people around the house 373 00:25:27,600 --> 00:25:30,120 of old Durrieux. There are 3 girls. 374 00:25:30,360 --> 00:25:32,280 - Lock or window? - Square. 375 00:25:32,480 --> 00:25:35,080 We're not going to fart at all. It's broad daylight. 376 00:25:35,320 --> 00:25:38,320 - We'll come back tonight. - What's wrong, girls? 377 00:25:40,840 --> 00:25:44,320 They are leaving. They spoke to come back tonight. 378 00:25:44,520 --> 00:25:47,480 - Okay. Thank you, Ms. Frachon. - You haven't forgotten my bonus! 379 00:25:47,680 --> 00:25:49,880 We will pay you, don't worry. 380 00:25:50,080 --> 00:25:51,320 Yes, I'm worried. 381 00:25:51,520 --> 00:25:53,600 Goodbye. Old bitch! 382 00:25:53,800 --> 00:25:55,240 [breathy music] 383 00:25:55,400 --> 00:25:56,600 I need 6 guys 384 00:25:56,800 --> 00:25:59,560 to intercept 3 girls at Mont-Saint-Michel. 385 00:25:59,720 --> 00:26:01,200 At the heliport in 45 minutes. 386 00:26:02,160 --> 00:26:04,160 [helicopter] 387 00:26:06,400 --> 00:26:08,400 [tension music] 388 00:26:22,720 --> 00:26:24,360 What are you doing with that? 389 00:26:24,640 --> 00:26:25,880 I want them alive. 390 00:26:30,960 --> 00:26:32,960 [dogs bark] 391 00:26:40,200 --> 00:26:42,480 - [dogs bark] - [intriguing music] 392 00:27:13,880 --> 00:27:14,960 (What are we looking for?) 393 00:27:15,160 --> 00:27:17,200 (Anything related with the network.) 394 00:27:41,440 --> 00:27:44,240 - [footsteps] - [we open a door] 395 00:27:51,680 --> 00:27:53,680 [we approach] 396 00:28:07,280 --> 00:28:09,320 [she gasps] 397 00:28:10,320 --> 00:28:11,440 Dad? 398 00:28:12,920 --> 00:28:13,960 It's dad! 399 00:28:24,320 --> 00:28:26,280 - What the hell is he doing? - I don't know. 400 00:28:49,880 --> 00:28:51,120 Can you explain to us? 401 00:28:53,360 --> 00:28:54,640 Why did you leave? 402 00:28:58,440 --> 00:29:01,920 You don't have to do anything here. It's far too dangerous. 403 00:29:03,240 --> 00:29:05,360 It's Prudence, is she looking for you? 404 00:29:06,360 --> 00:29:07,360 No. 405 00:29:08,800 --> 00:29:10,440 Prudence is dead, 406 00:29:10,640 --> 00:29:13,320 hit by a truck when I escaped, 407 00:29:13,520 --> 00:29:17,040 but as long as their network exists, we will never be safe. 408 00:29:17,280 --> 00:29:20,320 Today I found a way to make them fall... 409 00:29:21,520 --> 00:29:22,520 without you. 410 00:29:23,680 --> 00:29:25,560 So, we must go home. 411 00:29:25,800 --> 00:29:28,720 - I will contact you again. - You're kidding us 412 00:29:28,920 --> 00:29:30,840 to talk to us like we were 2 years old? 413 00:29:31,000 --> 00:29:34,520 Do you know the risks we took? We are your daughters, you tell us 414 00:29:34,720 --> 00:29:35,880 what the hell are you doing here. 415 00:29:39,640 --> 00:29:40,640 Dad... 416 00:29:43,280 --> 00:29:44,440 we can help you. 417 00:29:46,160 --> 00:29:48,360 - Let us help you. - Already, you tell us 418 00:29:48,560 --> 00:29:50,480 what you make with this table. 419 00:29:52,800 --> 00:29:55,520 OK, I will everything explain to you... 420 00:29:58,000 --> 00:30:00,640 but then you will stay apart from all that! 421 00:30:01,640 --> 00:30:02,640 This painting... 422 00:30:03,640 --> 00:30:04,880 he's bogus. 423 00:30:05,080 --> 00:30:07,480 All network members have one, 424 00:30:07,680 --> 00:30:09,920 like Durrieux and Dalembert. 425 00:30:10,120 --> 00:30:12,240 Above the Cranaff signature... 426 00:30:13,400 --> 00:30:15,800 there is a QR code overprinted. 427 00:30:18,840 --> 00:30:22,680 It allows access to messaging ultra confidential encrypted 428 00:30:22,880 --> 00:30:26,680 to which only members the highest in the network have access. 429 00:30:26,920 --> 00:30:30,120 If I infiltrate their messaging, I will know who their leader is 430 00:30:30,280 --> 00:30:32,000 and I will hand everything over to the police. 431 00:30:32,200 --> 00:30:35,160 [Tam] You won't get there alone. We will be stronger together. 432 00:30:35,360 --> 00:30:37,560 [the door is forced open with a bang] 433 00:30:47,760 --> 00:30:50,760 [indistinct radio messages] 434 00:31:13,520 --> 00:31:14,640 (OK...) 435 00:31:16,200 --> 00:31:20,440 - (Come on, go ahead, go!) - (No, you first.) 436 00:31:22,160 --> 00:31:23,960 (I'll be sure you stay.) 437 00:31:25,720 --> 00:31:26,880 (Come on.) 438 00:31:32,240 --> 00:31:33,920 - (Tam!) - (Sends the table.) 439 00:31:40,200 --> 00:31:41,400 [he growls] 440 00:31:43,560 --> 00:31:45,120 (Come on!) 441 00:31:48,560 --> 00:31:49,560 Come on, go! 442 00:31:49,800 --> 00:31:51,360 [breathy music] 443 00:32:04,400 --> 00:32:06,200 (Shit... Come on, this way!) 444 00:32:06,400 --> 00:32:07,800 Be careful! 445 00:32:08,000 --> 00:32:10,000 - There, girls, come on! - Come on ! 446 00:32:12,400 --> 00:32:13,400 Quickly ! 447 00:32:24,080 --> 00:32:25,080 Come on. 448 00:32:33,400 --> 00:32:36,200 [music fades] 449 00:32:43,920 --> 00:32:45,320 [snaps fingers] 450 00:32:57,120 --> 00:32:58,120 We don't move! 451 00:32:58,320 --> 00:33:00,720 Your hands, all three! Where is the fourth? 452 00:33:00,960 --> 00:33:02,040 [struggle cries] 453 00:33:04,240 --> 00:33:07,040 - Where is he? Answer! - [silent shots] 454 00:33:09,880 --> 00:33:10,920 Darts 455 00:33:11,160 --> 00:33:13,440 anesthetics, so as not to kill us. 456 00:33:13,640 --> 00:33:15,760 [they gasp] 457 00:33:15,960 --> 00:33:17,000 Go, go, go! 458 00:33:19,360 --> 00:33:20,360 Come, come! 459 00:33:23,160 --> 00:33:26,160 I have a boat in the west, on the other side of the abbey! 460 00:33:28,320 --> 00:33:29,480 [man] Over there! 461 00:33:32,040 --> 00:33:33,560 -Are you okay, girls? - Yeah. 462 00:33:35,600 --> 00:33:36,600 (Come on.) 463 00:33:36,800 --> 00:33:38,360 [crash] 464 00:33:38,560 --> 00:33:41,000 Damn, they closed the door! Shit ! 465 00:33:41,200 --> 00:33:43,600 [man] We're moving forward, we're moving forward! Come on ! 466 00:33:45,640 --> 00:33:47,640 Try opening it, I'll see. 467 00:33:47,840 --> 00:33:50,040 Alex, take the hook. 468 00:33:53,680 --> 00:33:56,640 [man] They entered the abbey, north entrance. 469 00:33:56,840 --> 00:33:59,480 [man] Welcome, let's go up through the main entrance. 470 00:34:02,960 --> 00:34:04,000 [silenced shot] 471 00:34:04,200 --> 00:34:05,800 - [clicking] - Don't move! 472 00:34:06,000 --> 00:34:07,920 - On your knees! - Okay, calm down. 473 00:34:08,120 --> 00:34:09,240 Where are the others? 474 00:34:11,520 --> 00:34:13,080 - [struggle cries] - [man] Let him go! 475 00:34:13,280 --> 00:34:14,680 Let him go! 476 00:34:14,880 --> 00:34:17,040 [breathy music] 477 00:34:17,240 --> 00:34:19,040 [suspenseful music] 478 00:34:23,240 --> 00:34:24,440 Thank you. 479 00:34:44,200 --> 00:34:45,600 (Wait, wait.) 480 00:34:49,160 --> 00:34:50,360 (Now come on!) 481 00:35:01,760 --> 00:35:03,840 (Come on! There you go.) 482 00:35:06,200 --> 00:35:07,560 - (Fuck.) - [man] Hey, you! 483 00:35:07,720 --> 00:35:09,200 See you there! 484 00:35:09,440 --> 00:35:11,040 - Hey! - (Quickly, quickly.) 485 00:35:16,360 --> 00:35:17,760 (Come, come, come!) 486 00:35:19,960 --> 00:35:23,480 [bells ring] 487 00:35:23,720 --> 00:35:25,120 (Come.) 488 00:35:35,880 --> 00:35:36,880 (Come.) 489 00:35:44,160 --> 00:35:46,160 [breathy music] 490 00:35:48,880 --> 00:35:49,880 Swarm! 491 00:35:51,080 --> 00:35:52,080 Dad ! 492 00:35:53,160 --> 00:35:54,600 Get up, get up! 493 00:35:56,960 --> 00:35:58,960 [groans of rage] 494 00:36:00,560 --> 00:36:03,360 [knocks on door] 495 00:36:05,000 --> 00:36:06,000 Come on. 496 00:36:07,960 --> 00:36:09,960 [suspenseful music] 497 00:36:12,600 --> 00:36:13,360 [scream and bang] 498 00:36:23,520 --> 00:36:25,720 It's too high, we can't go down. 499 00:36:28,760 --> 00:36:30,360 (We're almost there.) 500 00:36:30,560 --> 00:36:32,360 (We are on the western ramparts.) 501 00:36:32,560 --> 00:36:34,960 [Tam] We are above, we see the pier, 502 00:36:35,160 --> 00:36:37,400 but we can't go through that. - (Here we go.) 503 00:36:37,600 --> 00:36:40,160 [wind blows] 504 00:36:47,800 --> 00:36:48,840 The gutter. 505 00:36:49,040 --> 00:36:50,240 Come! 506 00:36:54,840 --> 00:36:56,240 [muffled] Stop! 507 00:36:58,400 --> 00:36:59,480 [man] Hey! 508 00:36:59,640 --> 00:37:02,400 [suspenseful music] 509 00:37:02,600 --> 00:37:03,600 File. 510 00:37:03,840 --> 00:37:06,240 - No ! - Join your sisters, we'll meet again 511 00:37:06,440 --> 00:37:07,200 to the boat. 512 00:37:08,720 --> 00:37:11,360 Come on, go for it! Go for it! 513 00:37:14,840 --> 00:37:15,840 [man] I'm coming! 514 00:37:22,280 --> 00:37:23,440 [cry of rage] 515 00:37:23,680 --> 00:37:25,680 - [breathy music] - [struggle cries] 516 00:37:32,920 --> 00:37:35,600 [groans of rage] 517 00:37:35,840 --> 00:37:36,960 [groans in the distance] 518 00:37:37,160 --> 00:37:38,520 [wind blows] 519 00:37:46,560 --> 00:37:49,360 [suspenseful music] 520 00:37:51,760 --> 00:37:53,960 [waves swell] 521 00:37:59,880 --> 00:38:02,280 - [gasps] - [wind blows] 522 00:38:37,640 --> 00:38:39,920 Girls, where are you? 523 00:38:40,120 --> 00:38:42,120 - [they gasp] - Can you hear me? 524 00:38:42,320 --> 00:38:45,360 Yes, we go down to the cemetery. They are behind. 525 00:38:47,440 --> 00:38:49,600 [Sylia] I don’t know where, but I hear them. 526 00:38:49,800 --> 00:38:51,800 Tell us where they are. 527 00:38:52,000 --> 00:38:54,440 Do you see us there? Do you see us? 528 00:38:54,640 --> 00:38:56,240 I don't see anything. 529 00:38:58,520 --> 00:38:59,880 [crackling] 530 00:39:00,080 --> 00:39:03,840 It’s okay, I see you! They're coming from behind! 531 00:39:04,080 --> 00:39:06,720 Some are coming by the stairs! 532 00:39:06,960 --> 00:39:08,320 - The stairs! - Okay! 533 00:39:08,560 --> 00:39:12,000 [struggle cries] 534 00:39:12,240 --> 00:39:14,000 - Syl, trace! - Get them! 535 00:39:14,200 --> 00:39:15,560 Don't move! 536 00:39:15,760 --> 00:39:18,360 - They are everywhere! - Man down! 537 00:39:18,560 --> 00:39:20,200 [screams and shots] 538 00:39:20,440 --> 00:39:23,320 - Oh... Oh my... - Alex! 539 00:39:25,080 --> 00:39:29,120 - [rattles of pain] - [suspenseful music] 540 00:39:42,640 --> 00:39:44,760 [wind blows] 541 00:39:52,120 --> 00:39:54,520 [door creaks] 542 00:39:54,720 --> 00:39:55,920 [knocks in the distance] 543 00:40:09,200 --> 00:40:10,400 [intriguing music] 544 00:41:10,200 --> 00:41:12,960 - [heavy music] - [drops splash] 545 00:41:24,360 --> 00:41:27,000 [we unlock a heavy door] 546 00:41:27,200 --> 00:41:29,840 [footsteps] 547 00:41:30,040 --> 00:41:32,400 We put them there while waiting for orders. 548 00:41:32,560 --> 00:41:34,280 Aside from earbuds, 549 00:41:34,480 --> 00:41:36,120 they had nothing on them. 550 00:41:38,000 --> 00:41:39,160 The others. 551 00:41:39,400 --> 00:41:40,800 Where are they? 552 00:41:42,280 --> 00:41:45,600 - We saw a man. - And the painting? 553 00:41:45,840 --> 00:41:48,720 - It's the other girl who has it. - To all, 554 00:41:48,960 --> 00:41:51,440 the man is on the ramparts, towards the exit. 555 00:41:51,640 --> 00:41:52,840 He's running away, guys! 556 00:41:55,840 --> 00:41:57,960 - Come on, let's go. - The tide will drown them. 557 00:41:58,160 --> 00:42:00,400 - What do we do with them? - I don't care. 558 00:42:00,640 --> 00:42:04,120 [they walk away] 559 00:42:04,360 --> 00:42:07,200 - [a door slams] - Damn... 560 00:42:07,400 --> 00:42:08,400 [she gasps] 561 00:42:08,640 --> 00:42:11,400 Alex! Alex, Alex... 562 00:42:11,600 --> 00:42:12,920 Alex, wake up! 563 00:42:13,160 --> 00:42:14,360 - Hm... - Come on, Alex! 564 00:42:14,560 --> 00:42:17,200 You don't have to sleep, you took a dart. 565 00:42:17,400 --> 00:42:20,200 Come on, Alex, come on. I'm going to get you up. 566 00:42:20,400 --> 00:42:21,840 [cry of effort] 567 00:42:22,040 --> 00:42:23,640 - Come on! - [mumbled words] 568 00:42:23,840 --> 00:42:26,720 Alex! Alex, look at me, Alex! 569 00:42:26,920 --> 00:42:28,000 Oh ! 570 00:42:28,200 --> 00:42:30,240 Do you have it? Are you there? Look at me! 571 00:42:30,440 --> 00:42:32,800 We are in a dungeon. Tam is outside. 572 00:42:33,000 --> 00:42:35,840 We can't call him. Look at the grid. 573 00:42:36,040 --> 00:42:37,720 I will carry you 574 00:42:37,920 --> 00:42:39,520 and you will try to access it. 575 00:42:39,680 --> 00:42:41,720 - Do you have any energy? - Stop... 576 00:42:41,920 --> 00:42:43,640 Alex, Alex! 577 00:42:43,840 --> 00:42:45,600 You concentrate, you look at me! 578 00:42:45,800 --> 00:42:49,000 You have energy, okay? Tell me you have energy! 579 00:42:49,200 --> 00:42:50,840 - Energy... - Talk to me. 580 00:42:51,040 --> 00:42:52,960 - Come on, my cat, come on! - Come on... 581 00:42:53,160 --> 00:42:54,760 Okay, okay. 582 00:42:54,960 --> 00:42:56,960 Go ahead, okay. 583 00:42:57,160 --> 00:42:58,880 Slowly, go ahead. 584 00:42:59,120 --> 00:43:02,120 - No... - Come on, come on, go ahead. 585 00:43:03,720 --> 00:43:06,440 Stretch your arms. Stretch out your arms, my cat, come on. 586 00:43:06,640 --> 00:43:07,960 [grunts of effort] 587 00:43:08,120 --> 00:43:09,560 Lie down. 588 00:43:09,760 --> 00:43:11,280 I'm on the edge 589 00:43:11,480 --> 00:43:12,280 feet. 590 00:43:12,480 --> 00:43:14,320 - [cry of effort] - I'm almost there... 591 00:43:14,520 --> 00:43:15,480 I can't do it. 592 00:43:15,720 --> 00:43:17,960 [groans] 593 00:43:18,160 --> 00:43:19,200 It doesn't matter. 594 00:43:19,400 --> 00:43:21,960 Give me your hand. Gently. 595 00:43:22,160 --> 00:43:23,440 Go ahead. 596 00:43:23,600 --> 00:43:24,920 Take it easy. 597 00:43:25,080 --> 00:43:27,240 - Ouch... - Slowly, gently. 598 00:43:27,440 --> 00:43:29,880 Come on, just don't that you fall asleep. 599 00:43:30,080 --> 00:43:31,800 Oh, damn... Oh, damn! 600 00:43:32,000 --> 00:43:34,280 They forgot the watch! We'll call Tam. 601 00:43:34,520 --> 00:43:36,560 No, don't fall asleep, Alex... 602 00:43:36,800 --> 00:43:40,000 Do you remember what I sang when you were little? 603 00:43:40,200 --> 00:43:41,520 ♪ At the clear fountain... ♪ 604 00:43:41,720 --> 00:43:43,720 Sing with me! Come on ! 605 00:43:43,920 --> 00:43:45,520 ♪ In the clear... ♪ ♪ - Fountain ♪ 606 00:43:45,720 --> 00:43:48,760 ♪ Going for a walk I found the water so beautiful ♪ 607 00:43:48,960 --> 00:43:52,680 ♪ - That I bathed in it ♪ ♪ - I've loved you for a long time... ♪ 608 00:43:52,880 --> 00:43:54,240 [Sylia] Go ahead, sing! 609 00:43:54,440 --> 00:43:55,520 Can you hear me, Tam? 610 00:43:55,680 --> 00:43:57,400 - Syl? - We're locked in, 611 00:43:57,600 --> 00:43:58,880 you have to come. 612 00:43:59,040 --> 00:44:01,200 Wait. Stand against the wall, you. 613 00:44:01,360 --> 00:44:03,120 Go ahead, sing. Tam! 614 00:44:03,320 --> 00:44:04,600 Tam, can you see me? 615 00:44:04,800 --> 00:44:06,160 - Where are you? - I don’t know. 616 00:44:06,360 --> 00:44:09,640 We went down, we passed in front of a cyclopean wall. 617 00:44:09,840 --> 00:44:13,000 A what? I don't understand, “cyclopé” what? 618 00:44:13,200 --> 00:44:16,080 [Sylia] A big wall. You can't miss it on the way down. 619 00:44:16,280 --> 00:44:19,200 Syl, Syl... Syl, there is water! 620 00:44:19,400 --> 00:44:21,200 - Water where? - In the dungeon. 621 00:44:21,400 --> 00:44:24,240 - Syl, Syl... - Girls? 622 00:44:24,440 --> 00:44:26,000 [Alex sobs] 623 00:44:26,200 --> 00:44:28,440 - Syl! - You have to come. 624 00:44:28,640 --> 00:44:31,280 - I'll find it, underground! - Do you see? 625 00:44:31,480 --> 00:44:32,920 In front of the chapel! 626 00:44:36,360 --> 00:44:37,440 Alex, sing! 627 00:44:37,680 --> 00:44:40,400 - Sing! - ♪ At the clear fountain... ♪ 628 00:44:40,640 --> 00:44:41,680 Come on! 629 00:44:41,920 --> 00:44:44,720 - ♪ I have loved you for a long time ♪ - ♪ Never... ♪ 630 00:44:44,920 --> 00:44:45,920 Is it there? 631 00:44:46,160 --> 00:44:47,760 I found your wall! 632 00:44:48,000 --> 00:44:50,360 Yeah, there it is a large wooden door. 633 00:44:50,600 --> 00:44:51,760 - Wooden? - Yeah! 634 00:44:51,960 --> 00:44:54,640 - [a door slams in the distance] - [suspenseful music] 635 00:44:54,880 --> 00:44:56,400 You have to hurry. 636 00:44:56,640 --> 00:44:58,680 You need to hurry, the water is rising. 637 00:44:58,880 --> 00:45:00,480 - (There is someone.) - What? 638 00:45:00,720 --> 00:45:04,000 Tam, I don't understand. Repeat? Tam, where are you? 639 00:45:04,200 --> 00:45:06,680 (Shh! There’s someone, I tell you!) 640 00:45:10,760 --> 00:45:12,560 [screams] 641 00:45:15,480 --> 00:45:17,160 Oh, damn, the painting! 642 00:45:18,920 --> 00:45:20,720 Tam, who cares about the painting! 643 00:45:20,920 --> 00:45:23,760 We're dying! Tam? 644 00:45:23,960 --> 00:45:24,800 We need you! 645 00:45:25,200 --> 00:45:26,200 [Tam shouts] 646 00:45:29,960 --> 00:45:31,920 Tam! Tam, what's going on? 647 00:45:32,120 --> 00:45:33,160 Can you hear me? 648 00:45:33,320 --> 00:45:35,440 [Tam groans] 649 00:45:35,640 --> 00:45:37,560 [man] I threw a dart at him. 650 00:45:37,720 --> 00:45:38,920 [Sylia] Answer me! 651 00:45:41,720 --> 00:45:44,240 - What's going on? - [man] My friends are coming! 652 00:45:44,480 --> 00:45:45,320 Tam! 653 00:45:47,000 --> 00:45:48,640 Tam, answer, please! 654 00:45:48,880 --> 00:45:50,320 A dart... 655 00:45:50,560 --> 00:45:51,560 Huh? 656 00:45:51,760 --> 00:45:53,160 Damn... 657 00:45:53,360 --> 00:45:55,840 [Tam mumbles] Someone threw a dart at me. 658 00:45:56,040 --> 00:45:59,240 - Tom! - You mustn't fall asleep! 659 00:45:59,440 --> 00:46:01,880 Keep going, Tam! There’s water rising there! 660 00:46:02,080 --> 00:46:04,560 Tam, listen to me! 661 00:46:04,760 --> 00:46:06,960 - Do you see the columns? - The columns? 662 00:46:07,160 --> 00:46:11,240 Yeah, we’ve been there! At the end, there is a door. 663 00:46:11,440 --> 00:46:13,240 [screams] 664 00:46:15,440 --> 00:46:16,800 The staircase... 665 00:46:17,000 --> 00:46:19,040 At the end, you take the door on the right! 666 00:46:19,200 --> 00:46:21,840 - At the bottom, there is a wooden door. - Okay. 667 00:46:22,000 --> 00:46:24,320 - Come down! - There are doors everywhere. 668 00:46:24,520 --> 00:46:26,640 A large wooden door! 669 00:46:26,800 --> 00:46:29,360 [confused voice] A door down! Do you hear me? 670 00:46:30,760 --> 00:46:34,400 - Think of dad! - Tom! 671 00:46:34,600 --> 00:46:36,960 I can't... I don't see anything... 672 00:46:37,200 --> 00:46:39,040 [Sylia] You don't crack! 673 00:46:40,200 --> 00:46:41,640 Large wooden door! 674 00:46:41,880 --> 00:46:45,240 The door on the right down the stairs, Tam! 675 00:46:45,400 --> 00:46:46,840 [Alex] Tam, we're here! 676 00:46:47,000 --> 00:46:49,120 [Sylia] At the bottom, a large wooden door! 677 00:46:49,280 --> 00:46:52,600 - [Alex] Tam! - I see... The door... 678 00:46:52,800 --> 00:46:54,040 I'm there... 679 00:46:54,200 --> 00:46:58,040 [door creaks] 680 00:46:58,200 --> 00:46:59,240 [Sylia] Did you find it? 681 00:46:59,400 --> 00:47:02,280 [heavy music] 682 00:47:02,480 --> 00:47:04,960 This is the wrong door, damn... 683 00:47:05,160 --> 00:47:07,200 - I don't see anything anymore... - What? 684 00:47:07,400 --> 00:47:09,200 -I can't do it anymore... -Tam! 685 00:47:09,400 --> 00:47:12,200 Tam! Tam! 686 00:47:13,320 --> 00:47:15,040 Wake up, Tam! 687 00:47:15,240 --> 00:47:16,920 Tam! 688 00:47:17,120 --> 00:47:19,160 - I hear you. - We're very close. 689 00:47:22,240 --> 00:47:24,400 Go ahead! Go ahead! 690 00:47:24,840 --> 00:47:26,400 Tam! 691 00:47:27,480 --> 00:47:29,840 - Tom! - We're here! 692 00:47:33,800 --> 00:47:36,440 - Tom! - Come on, courage! 693 00:47:36,640 --> 00:47:38,480 [Tam drops the key] 694 00:47:38,640 --> 00:47:40,520 You'll get there! 695 00:47:43,080 --> 00:47:44,080 Hang in there. 696 00:47:44,280 --> 00:47:47,280 Tam! You can do it! 697 00:47:47,480 --> 00:47:50,920 - Help me! - Go ahead! Go ahead, Tam! 698 00:47:51,120 --> 00:47:52,080 Come on ! 699 00:47:52,280 --> 00:47:55,560 [tension music] 700 00:47:58,960 --> 00:48:02,040 [Alex coughs and chokes] 701 00:48:05,200 --> 00:48:06,200 Tam? 702 00:48:11,800 --> 00:48:13,880 Tam! Tam! 703 00:48:14,080 --> 00:48:18,200 That's it, you've succeeded! We are here. 704 00:48:18,440 --> 00:48:21,560 Come on, go ahead! Tam, you did it! 705 00:48:21,720 --> 00:48:24,480 - You are here ! -Tam... 706 00:48:24,640 --> 00:48:27,000 Tam! Wake up! 707 00:48:27,160 --> 00:48:30,720 Go ahead, give it everything you've got! Come on ! Come on ! 708 00:48:30,920 --> 00:48:32,920 Tam! 709 00:48:33,160 --> 00:48:34,640 [Tam groans] 710 00:48:34,880 --> 00:48:35,960 [Sylia] Look on the wall. 711 00:48:42,400 --> 00:48:45,440 [metallic shocks] 712 00:48:55,840 --> 00:48:58,840 [screams of effort] 713 00:49:06,440 --> 00:49:09,360 Go ahead, lean on the sides. On the sides. 714 00:49:11,800 --> 00:49:15,640 [Alex coughs] 715 00:49:17,920 --> 00:49:19,760 Come! Come on ! 716 00:49:20,000 --> 00:49:22,320 [screams of effort] 717 00:49:26,480 --> 00:49:28,480 [screams of effort] 718 00:49:31,400 --> 00:49:33,400 [soft music] 719 00:49:47,800 --> 00:49:50,880 Come on, Tam! We're almost there. 720 00:49:52,640 --> 00:49:55,720 Come on, stay with us. We're almost there. 721 00:49:56,840 --> 00:49:58,440 Stay with us. Come on. 722 00:49:59,840 --> 00:50:01,960 Dad's not here. Are we waiting for him? 723 00:50:02,200 --> 00:50:04,760 - What do we do? - We have to go. 724 00:50:05,000 --> 00:50:06,520 No, no, no! 725 00:50:06,760 --> 00:50:08,680 We have to go. He's not there. 726 00:50:08,880 --> 00:50:09,880 [man] Hurry up! 727 00:50:10,120 --> 00:50:12,720 - She can't be far away! - At the pier! 728 00:50:12,920 --> 00:50:15,520 [heroic music] 729 00:50:15,720 --> 00:50:18,080 - Come on! Go ahead! - Come on ! 730 00:50:20,720 --> 00:50:21,720 Go ahead! 731 00:50:25,440 --> 00:50:26,760 [engine starts] 732 00:50:30,160 --> 00:50:31,560 ♪ Cat's Eyes ♪ 733 00:50:32,840 --> 00:50:35,920 ♪ Signed Signed Cat's Eyes ♪ 734 00:50:37,880 --> 00:50:40,600 ♪ Cat's Eyes ♪ 735 00:50:40,840 --> 00:50:44,440 ♪ Signed Signed Cat's Eyes ♪ 736 00:50:45,920 --> 00:50:47,920 ♪ Cat's Eyes ♪ 737 00:50:48,760 --> 00:50:52,760 ♪ Signed Signed Cat's Eyes ♪ 738 00:50:52,960 --> 00:50:53,960 [the father] Come on, go ahead. 739 00:50:54,200 --> 00:50:56,520 - File! - [Tam]No, you first. 740 00:50:56,720 --> 00:50:58,760 I'll be sure you stay. 741 00:51:03,360 --> 00:51:05,240 Dad, we can help you. 742 00:51:07,240 --> 00:51:09,280 Please let us help you. 743 00:51:26,040 --> 00:51:28,520 Dad would definitely have tried to contact us 744 00:51:28,720 --> 00:51:30,040 if he had managed to escape. 745 00:51:31,360 --> 00:51:33,240 Or maybe he gave up on us again. 746 00:51:33,440 --> 00:51:35,920 I don't think so, he seemed sincere. 747 00:51:37,000 --> 00:51:40,800 - We can't let him down. - I don't know. 748 00:51:41,000 --> 00:51:44,200 I don't know what to think of him. Don't you understand? 749 00:51:44,400 --> 00:51:47,120 Well, no. I need to know! 750 00:51:49,760 --> 00:51:51,840 And then how do you want us to do? 751 00:51:52,080 --> 00:51:55,200 We don't know who the guys are that fell on us. 752 00:51:55,400 --> 00:51:58,000 To find them, we only had the table, 753 00:51:58,200 --> 00:52:01,040 and Tam lost him! - Dalembert's painting remains. 754 00:52:01,240 --> 00:52:02,960 It definitely has a QR code too! 755 00:52:05,000 --> 00:52:06,000 I don't know... 756 00:52:06,200 --> 00:52:07,640 [ringing] 757 00:52:07,880 --> 00:52:08,960 Ah, it's Quentin. 758 00:52:10,360 --> 00:52:11,960 - Hello, girls! - Hi. 759 00:52:12,160 --> 00:52:14,760 You don't have to ring the bell, eh? you have the key. 760 00:52:14,960 --> 00:52:18,480 Yeah, I know but... Reflex. You know. 761 00:52:21,440 --> 00:52:24,040 - Isn't she there, Tam? - She sleeps in her room. 762 00:52:24,240 --> 00:52:26,520 - She sleeps at 5 p.m.? - We came home this morning. 763 00:52:26,760 --> 00:52:28,080 We celebrated. 764 00:52:28,320 --> 00:52:30,160 - Did she drink? - Well, yeah. 765 00:52:30,320 --> 00:52:33,840 And again, it's a small word. Above all, she sang a lot. 766 00:52:34,000 --> 00:52:35,280 Who were you with? 767 00:52:36,400 --> 00:52:39,680 Is this an interrogation? With painter friends 768 00:52:39,880 --> 00:52:42,480 who want to exhibit at the café. - They paint 769 00:52:42,680 --> 00:52:44,120 naked with seaweed! 770 00:52:44,320 --> 00:52:46,000 It's good. 771 00:52:46,200 --> 00:52:48,000 It's trendy, apparently. 772 00:52:51,800 --> 00:52:54,400 Don't wake her, huh? 773 00:52:57,400 --> 00:52:58,600 [vibrate] 774 00:52:58,840 --> 00:52:59,840 Hello? 775 00:53:02,120 --> 00:53:03,760 I'm at Tam's, why? 776 00:53:06,240 --> 00:53:07,320 Does she want to see us? 777 00:53:08,880 --> 00:53:10,760 Go ahead. Okay. To all. 778 00:53:11,000 --> 00:53:15,120 Sorry, it's dead for tonight. Tell Tam I have a job. 779 00:53:15,320 --> 00:53:17,400 - Nothing serious? - No, nothing. 780 00:53:17,600 --> 00:53:20,360 Director of the Museums Union bothers me. 781 00:53:20,560 --> 00:53:21,560 She summons me. 782 00:53:22,720 --> 00:53:24,680 -Barbara Altman? - Yeah. 783 00:53:24,880 --> 00:53:28,640 She wants the paintings back who almost got robbed 784 00:53:28,800 --> 00:53:30,720 and send them to a lab 785 00:53:30,920 --> 00:53:34,160 by train to the other end of France to carry out analyses, 786 00:53:34,320 --> 00:53:37,160 recover everything we can on the robbers. 787 00:53:37,320 --> 00:53:39,080 In short, the administration... 788 00:53:39,240 --> 00:53:41,120 Do you have time for an aperitif? 789 00:53:41,320 --> 00:53:45,320 - Yeah, but too bad about tonight. - What do you want to drink? 790 00:53:45,520 --> 00:53:48,080 - Do you have apple juice? - Nickel. Sit down. 791 00:53:48,280 --> 00:53:49,280 Cim. 792 00:53:50,360 --> 00:53:53,360 - Take off your jacket, I'll hang it. - Yeah, it hits. 793 00:53:53,560 --> 00:53:55,440 - It's hot! - Hold. 794 00:53:56,920 --> 00:53:58,920 [intriguing music] 795 00:53:59,120 --> 00:54:01,760 - Apple juice, right? - Yeah, please. 796 00:54:01,920 --> 00:54:04,000 Or water, if you don't have one. 797 00:54:04,200 --> 00:54:05,400 That should do it. 798 00:54:10,200 --> 00:54:12,600 - Do you want some ice cubes? - Yeah, I want to. 799 00:54:17,880 --> 00:54:22,000 - (What are you doing?) - (I crack his phone to spy.) 800 00:54:22,200 --> 00:54:25,520 (I'm going to infiltrate the network to find dad.) 801 00:54:25,720 --> 00:54:28,160 - (It’s inflated. It’s not stupid.) - (I know.) 802 00:54:28,320 --> 00:54:29,520 (Hurry up.) 803 00:54:43,480 --> 00:54:46,560 Well, I say... Small office at the Musée d'Orsay... 804 00:54:46,760 --> 00:54:49,680 She doesn't give a damn, the director of museums! 805 00:55:00,400 --> 00:55:01,720 [he knocks] 806 00:55:06,720 --> 00:55:07,960 Captain Chapuis. 807 00:55:08,160 --> 00:55:09,480 - Mrs. Altman. - Come in. 808 00:55:09,680 --> 00:55:12,000 - Thank you so much. - Major Iribarren, 809 00:55:12,200 --> 00:55:13,120 enchanted... 810 00:55:13,320 --> 00:55:14,760 So... 811 00:55:14,920 --> 00:55:17,520 OK, I smell like pâté, actually. 812 00:55:17,720 --> 00:55:19,880 It's been 2 weeks that I ask you 813 00:55:20,040 --> 00:55:24,280 to return the paintings to me so that they can finally be exposed. 814 00:55:24,480 --> 00:55:27,320 In addition to the attempted theft this week, 815 00:55:27,520 --> 00:55:30,360 I hear that you want keep them? 816 00:55:30,560 --> 00:55:34,920 I know well, but if we want recover fingerprints or DNA 817 00:55:35,080 --> 00:55:38,600 robbers or Cat's Eyes, we have to sift through everything. 818 00:55:38,800 --> 00:55:41,040 I don't know anything about it in cop procedures 819 00:55:41,200 --> 00:55:42,760 and it doesn't excite me too much. 820 00:55:42,920 --> 00:55:44,360 - Captain... - Yes ? 821 00:55:44,520 --> 00:55:47,960 When the tables will they be returned to us? 822 00:55:48,160 --> 00:55:51,840 For the sake of efficiency, we decided to send everything 823 00:55:52,040 --> 00:55:54,160 in the scientist's lab, but in Lyon. 824 00:55:54,360 --> 00:55:56,680 Wait, do you want move them? 825 00:55:56,880 --> 00:55:59,760 Yes, but they can proceed for analysis tomorrow. 826 00:55:59,960 --> 00:56:02,480 You will receive them within a short week. 827 00:56:02,640 --> 00:56:03,880 No worries. 828 00:56:04,080 --> 00:56:05,800 How will it happen? 829 00:56:06,000 --> 00:56:07,600 For delivery, 830 00:56:07,760 --> 00:56:10,480 we planned to put everything in a Paris-Lyon train, 831 00:56:10,680 --> 00:56:12,640 a freight train 832 00:56:12,840 --> 00:56:15,320 which is usually used for the covers, 833 00:56:15,480 --> 00:56:19,760 during covert operations, just to avoid any problems 834 00:56:19,960 --> 00:56:21,960 and guarantee discretion. 835 00:56:22,160 --> 00:56:24,920 There will be a BRB squad heavily armed 836 00:56:25,080 --> 00:56:28,520 who will ensure proper delivery of all works 837 00:56:28,680 --> 00:56:30,280 at the scientist's lab. 838 00:56:30,440 --> 00:56:32,160 Admit it, it's practical. 839 00:56:32,320 --> 00:56:35,560 Captain, I want the works next week. 840 00:56:35,720 --> 00:56:39,360 - It really doesn't happen... - Where do you get your principles from? 841 00:56:39,520 --> 00:56:42,600 - Did we understand each other? - You have my word. 842 00:56:42,760 --> 00:56:46,400 You don't have any interest in listening to us when it's just the two of us. 843 00:56:46,600 --> 00:56:48,520 - I didn't think about it, well. - Serious ! 844 00:56:48,680 --> 00:56:49,600 It's good. 845 00:56:49,800 --> 00:56:53,240 How we will identify and steal Dalembert’s painting? 846 00:56:53,440 --> 00:56:54,800 I don't know. 847 00:56:54,960 --> 00:56:57,440 [intriguing music] 848 00:56:57,600 --> 00:56:59,360 We can attack the train. 849 00:56:59,600 --> 00:57:02,160 [the train whistles] 850 00:57:02,400 --> 00:57:05,000 - Thank you for your trust. - You are welcome. 851 00:57:27,440 --> 00:57:29,440 [phone rings] 852 00:57:32,160 --> 00:57:34,040 - Yes, hello? - Gabriel. 853 00:57:34,240 --> 00:57:36,720 We will finally be able to recover the Cranaff. 854 00:57:36,920 --> 00:57:39,840 Dalembert's works will be moved tomorrow 855 00:57:40,040 --> 00:57:41,760 by train. - Are you sure? 856 00:57:41,960 --> 00:57:45,640 Yes, that stupid cop Gave me all the details. 857 00:57:46,720 --> 00:57:49,400 We need to recover the painting before the cops 858 00:57:49,560 --> 00:57:51,720 do not discover the QR code. 859 00:57:51,920 --> 00:57:55,440 You are going to contact a man who calls himself the Marquis. 860 00:57:55,640 --> 00:57:56,680 [Gabriel] Who is it? 861 00:57:56,840 --> 00:58:00,480 An independent, the best aerobatics and climbing. 862 00:58:00,680 --> 00:58:03,000 [Gabriel] How can we trust him? 863 00:58:03,200 --> 00:58:05,920 That's your job. It's up to you to bring him into line. 864 00:58:07,040 --> 00:58:08,240 I'm not worried. 865 00:58:09,240 --> 00:58:11,200 - Tu fais ça très bien. - OK. 866 00:58:11,400 --> 00:58:12,360 [musique soul] 867 00:58:13,240 --> 00:58:16,440 ♪ There's a joy I'm feeling from within ♪ 868 00:58:17,920 --> 00:58:19,640 ♪ Just don't know where to start ♪ 869 00:58:22,240 --> 00:58:25,840 ♪ I feel a soulful rhythm Yeah ♪ 870 00:58:26,960 --> 00:58:29,440 ♪ Hiding in my heart ♪ 871 00:58:30,280 --> 00:58:33,280 ♪ And nothing can stand in my way ♪ 872 00:58:33,480 --> 00:58:35,880 ♪ Feeling good this lovely day ♪ 873 00:58:36,080 --> 00:58:37,440 [le téléphone sonne] 874 00:58:37,640 --> 00:58:40,520 ♪ Feeling good this lovely day ♪ 875 00:58:42,120 --> 00:58:43,120 Allô ? 876 00:58:44,520 --> 00:58:48,960 Oui. Absolument. Vous connaissez mes tarifs, hein ? 877 00:58:49,120 --> 00:58:50,240 Voilà. Ouais. 878 00:58:50,400 --> 00:58:52,760 Francs suisses uniquement, absolument. 879 00:58:52,920 --> 00:58:54,960 Très bien. Juste... Est-ce que... 880 00:58:55,120 --> 00:58:58,280 Je peux vous rappeler ? Je suis occupé. 881 00:58:59,400 --> 00:59:01,320 Merci beaucoup. Au revoir. 882 00:59:02,400 --> 00:59:05,200 ♪ When we dance in the street ♪ 883 00:59:06,240 --> 00:59:09,240 ♪ And nothing can stand in my way ♪ 884 00:59:09,440 --> 00:59:12,160 ♪ Feeling good this lovely day ♪ 885 00:59:13,680 --> 00:59:17,400 - ♪ Feeling good this lovely day ♪ - ♪ Oh yeah yeah yeah ♪ 886 00:59:18,120 --> 00:59:21,840 ♪ Feeling good this lovely day ♪ 887 00:59:24,720 --> 00:59:26,200 SOUS-TITRAGE : RED BEE MEDIA